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The New Statesman

The New Statesman

Bonnard was a man of serious intellect, politically and artistically connected to his times. Almost shockingly, he did not normally paint in front of the subject

The New Statesman
Summary
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78% Informative

Pierre Bonnard has always been highly regarded, and yet never, quite, in the top league.

But Bonnard is having a moment with exhibitions at Tate Modern and the National Museum in Stockholm .

Bonnard shunned publicity and lived most of his life in seclusion with his wife and muse, Marthe .

Pierre Bonnard was painting nothing less than time and the human condition.

He creates plunging viewpoints, visual ambiguities and distortions to disrupt the viewer.

Isabelle Cahn says he is an equivalent of Marcel Proust , who wrote: “Style is a revelation of a private universe which each one of us sees and which is not seen by others”.

VR Score

77

Informative language

75

Neutral language

52

Article tone

informal

Language

English

Language complexity

45

Offensive language

not offensive

Hate speech

not hateful

Attention-grabbing headline

not detected

Known propaganda techniques

not detected

Time-value

long-living

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