This is a Hollywood news story, published by Quillette, that relates primarily to Wong news.
For more Hollywood news, you can click here:
more Hollywood newsFor more Wong news, you can click here:
more Wong newsFor more movies news, you can click here:
more movies newsFor more news from Quillette, you can click here:
more news from QuilletteOtherweb, Inc is a public benefit corporation, dedicated to improving the quality of news people consume. We are non-partisan, junk-free, and ad-free. We use artificial intelligence (AI) to remove junk from your news feed, and allow you to select the best entertainment news, business news, world news, and much more. If you like movies news, you might also like this article about
only Chinese actress. We are dedicated to bringing you the highest-quality news, junk-free and ad-free, about your favorite topics. Please come every day to read the latest Wong Liu Tsong news, Chinatown news, movies news, and other high-quality news about any topic that interests you. We are working hard to create the best news aggregator on the web, and to put you in control of your news feed - whether you choose to read the latest news through our website, our news app, or our daily newsletter - all free!
Jazz Age Hollywood OrientalismQuillette
•
59% Informative
During the classical Hollywood era, Wong was the only Asian American actor of either sex whose name got featured billing on ads, one -sheets, and marquees.
Wong ’s beauty, poise, smarts, and emotive range soon thrust her into the foreground.
Wong was relegated to Asian or Asian -adjacent roles well below her weight class.
German director Richard Eichberg cast her in the lead in a pair of back-to-back melodramas.
Wong ’s next film, Piccadilly ( 1929 ), shot in London for British International Pictures and directed by Universum-Film Aktiengesellschaft (Ufa) maestro A.E. Dupont .
Wong ’s career was on a downward arc and not even Sinophilic sentiments of America reversed it after Pearl Harbor .
Wong might arouse desire in white male viewers, but an end-reel clinch with a white man was taboo.
She refused to play the role she was born to play, that of O-lan, the long-suffering wife and mother in The Good Earth ( 1937 ).
VR Score
74
Informative language
86
Neutral language
10
Article tone
formal
Language
English
Language complexity
53
Offensive language
possibly offensive
Hate speech
not hateful
Attention-grabbing headline
detected
Known propaganda techniques
not detected
Time-value
medium-lived
External references
2
Source diversity
2